
Laurent Demany
Chercheur
Directeur de recherche - émérite / CNRS/ Contact
    
  
  
  
  
  +33 5 57 57 16 51 
  
  
  
  
  
  
www.orcid.org/0000-0001-5549-9628
  
  
 
  
Publications
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                    Simple frequency ratios naturally make precisely perceived melodies
 Current Biology. 2025-03-01.
 10.1016/j.cub.2025.02.030
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                    Nature versus nurture in the detection of sour notes
 PsyArXiv Preprints. 2023-12-09.
 10.31234/osf.io/ug398
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                    Controlling audibility with noise for online experiments using sound
 JASA Express Letters. 2023-06-01. 3(6)
 10.1121/10.0019807
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                    The perception of octave pitch affinity and harmonic fusion have a common origin
 Hearing Research. 2021-02-01. : 108213.
 10.1016/j.heares.2021.108213
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                    The Role of Memory in Auditory Perception
 Auditory Perception of Sound Sources. . : 77-113.
 10.1007/978-0-387-71305-2_4
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                    Automatic frequency-shift detection in the auditory system: A review of psychophysical findings.
 Neuroscience. 2017-09-01.
 10.1016/j.neuroscience.2017.08.045
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                    Detecting temporal changes in acoustic scenes: The variable benefit of selective attention.
 Hearing Research. 2017-09-01. 353 : 17-25.
 10.1016/j.heares.2017.07.013
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                    The Effect of Cochlear Damage on the Sensitivity to Harmonicity.
 Ear and Hearing. 2017-01-01. 38(1) : 85-93.
 10.1097/aud.0000000000000356
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                    Pitch priming in sequences of two sounds.
 The Journal of the Acoustical Society of America. 2016-09-01. 140(3) : 2056-2063.
 10.1121/1.4963093
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                    Harmonic fusion and pitch affinity: Is there a direct link?
 Hearing Research. 2016-03-01. 333 : 247-254.
 10.1016/j.heares.2015.08.015
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                    A late-emerging auditory deficit in autism.
 Neuropsychology. 2015-01-01. 29(3) : 454-462.
 10.1037/neu0000162
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                    Auditory attention is divisible: segregated tone streams can be tracked simultaneously.
 Journal of Experimental Psychology: Human Perception and Performance. 2015-01-01. 41(2) : 356-363.
 10.1037/a0038932
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                    The auditory enhancement effect is not reflected in the 80-Hz auditory steady-state response.
 JARO. 2014-05-21. 15(4) : 621-630.
 10.1007/s10162-014-0455-y
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                    What is a melody? On the relationship between pitch and brightness of timbre.
 Front. Syst. Neurosci.. 2014-01-01. 7
 10.3389/fnsys.2013.00127
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                    No Need for Templates in the Auditory Enhancement Effect.
 PLoS ONE. 2013-06-27. 8(6) : e67874.
 10.1371/journal.pone.0067874
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                    The perceptual enhancement of tones by frequency shifts.
 Hearing Research. 2013-04-01. 298 : 10-16.
 10.1016/j.heares.2013.01.016
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                    Enhancement of increments in spectral amplitude: further evidence for a mechanism based on central adaptation.
 Advances in Experimental Medicine and Biology. 2013-01-01. : 175-182.
 10.1007/978-1-4614-1590-9_20
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                    Auditory stream segregation for alternating and synchronous tones.
 Journal of Experimental Psychology: Human Perception and Performance. 2013-01-01. 39(6) : 1568-1580.
 10.1037/a0032241
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                    Assessing the possible role of frequency-shift detectors in the ability to hear out partials in complex tones.
 Advances in Experimental Medicine and Biology. 2013-01-01. : 127-135.
 10.1007/978-1-4614-1590-9_15
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                    Auditory discrimination of frequency ratios: the octave singularity.
 Journal of Experimental Psychology: Human Perception and Performance. 2013-01-01. 39(3) : 788-801.
 10.1037/a0030095
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                    Auditory enhancement of increments in spectral amplitude stems from more than one source.
 JARO. 2012-07-06. 13(5) : 693-702.
 10.1007/s10162-012-0339-y
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                    A note about insensitivity to pitch-change direction.
 The Journal of the Acoustical Society of America. 2011-10-01. 130(4) : EL129-EL134.
 10.1121/1.3629139
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                    Enhancing a tone by shifting its frequency or intensity.
 The Journal of the Acoustical Society of America. 2011-06-01. 129(6) : 3837-3845.
 10.1121/1.3589257
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                    Frequency-shift detectors bind binaural as well as monaural frequency representations.
 Journal of Experimental Psychology: Human Perception and Performance. 2011-01-01. 37(6) : 1976-1987.
 10.1037/a0024321
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                    Implicit versus explicit frequency comparisons: two mechanisms of auditory change detection.
 Journal of Experimental Psychology: Human Perception and Performance. 2011-01-01. 37(2) : 597-605.
 10.1037/a0020368
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                    The role of peripheral resolvability in pitch-sequence processing.
 The Journal of the Acoustical Society of America. 2010-11-01. 128(5) : EL236-EL241.
 10.1121/1.3499701
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                    What breaks a melody: perceiving F0 and intensity sequences with a cochlear implant.
 Hearing Research. 2010-10-01. 269(1-2) : 34-41.
 10.1016/j.heares.2010.07.007
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                    Fundamental differences in change detection between vision and audition.
 Exp Brain Res. 2010-04-06. 203(2) : 261-270.
 10.1007/s00221-010-2226-2
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                    What makes a melody: The perceptual singularity of pitch sequences.
 The Journal of the Acoustical Society of America. 2009-12-01. 126(6) : 3179-3187.
 10.1121/1.3257206
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                    Tuning properties of the auditory frequency-shift detectors.
 The Journal of the Acoustical Society of America. 2009-09-01. 126(3) : 1342-1348.
 10.1121/1.3179675
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                    Continuous versus discrete frequency changes: different detection mechanisms?
 The Journal of the Acoustical Society of America. 2009-02-01. 125(2) : 1082-1090.
 10.1121/1.3050271
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                    Auditory temporal processing in Parkinson’s disease.
 Neuropsychologia. 2008-07-01. 46(9) : 2326-2335.
 10.1016/j.neuropsychologia.2008.03.007
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                    Enhancement, adaptation, and the binaural system.
 The Journal of the Acoustical Society of America. 2008-06-01. 123(6) : 4412-4420.
 10.1121/1.2902177
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                    An evaluation of psychophysical models of auditory change perception.
 Psychological Review. 2008-01-01. 115(4) : 1069-1083.
 10.1037/a0013572
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                    Auditory change detection: simple sounds are not memorized better than complex sounds.
 Psychol Sci. 2008-01-01. 19(1) : 85-91.
 10.1111/j.1467-9280.2008.02050.x
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                    Individual differences in the sensitivity to pitch direction.
 The Journal of the Acoustical Society of America. 2006-12-01. 120(6) : 3907-3915.
 10.1121/1.2357708
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                    The slow formation of a pitch percept beyond the ending time of a short tone burst.
 Perception & Psychophysics. 2005-11-01. 67(8) : 1376-1383.
 10.3758/bf03193642
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                    Consequences of cochlear damage for the detection of interaural phase differences.
 The Journal of the Acoustical Society of America. 2005-10-01. 118(4) : 2519-2526.
 10.1121/1.2032747
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                    Consequences of cochlear damage for the detection of interaural phase differences.
 The Journal of the Acoustical Society of America. 2005-10-01. 118(4) : 2519-2526.
 10.1121/1.2032747
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                    Modulation masking produced by second-order modulators.
 The Journal of the Acoustical Society of America. 2005-04-01. 117(4) : 2158-2168.
 10.1121/1.1861892
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                    Modulation masking produced by second-order modulators.
 The Journal of the Acoustical Society of America. 2005-04-01. 117(4) : 2158-2168.
 10.1121/1.1861892
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                    On the binding of successive sounds: perceiving shifts in nonperceived pitches.
 The Journal of the Acoustical Society of America. 2005-02-01. 117(2) : 833-841.
 10.1121/1.1850209
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                    Detecting changes in amplitude-modulation frequency: A test of the concept of excitation pattern in the temporal-envelope domain
 Auditory Signal Processing. 2005-01-01. : 229-235.
 10.1007/0-387-27045-0_28
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                    Internal noise and memory for pitch
 Auditory Signal Processing. 2005-01-01. : 136-144.
 10.1007/0-387-27045-0_17
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                    Pitch perception and retention: two cumulative benefits of selective attention.
 Perception & Psychophysics. 2004-05-01. 66(4) : 609-617.
 10.3758/BF03194905
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                    Limits of rhythm perception.
 The Quarterly Journal of Experimental Psychology Section A. 2002-04-01. 55(2) : 643-657.
 10.1080/02724980143000406
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                    Learning to perceive pitch differences.
 The Journal of the Acoustical Society of America. 2002-03-01. 111(3) : 1377-1388.
 10.1121/1.1445791
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                    Temporal pitch perception and the binaural system.
 The Journal of the Acoustical Society of America. 2001-02-01. 109(2) : 686-700.
 10.1121/1.1342074
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                    Temporal pitch perception and the binaural system.
 The Journal of the Acoustical Society of America. 2001-02-01. 109(2) : 686-700.
 10.1121/1.1342074
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                    Memory for pitch versus memory for loudness.
 The Journal of the Acoustical Society of America. 1999-11-01. 106(5) : 2805-2811.
 10.1121/1.428106
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                    Discrimination of amplitude-modulation phase spectrum.
 The Journal of the Acoustical Society of America. 1999-05-01. 105(5) : 2987-2990.
 10.1121/1.426911
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                    Discrimination of amplitude-modulation phase spectrum.
 The Journal of the Acoustical Society of America. 1999-05-01. 105(5) : 2987-2990.
 10.1121/1.426911
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                    Psychophysical evidence against the autocorrelation theory of auditory temporal processing.
 The Journal of the Acoustical Society of America. 1998-10-01. 104(4) : 2298-2306.
 10.1121/1.423742
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                    Temporal dynamics of pitch strength in regular interval noises.
 The Journal of the Acoustical Society of America. 1998-10-01. 104(4) : 2307-2313.
 10.1121/1.423743
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                    Psychophysical evidence against the autocorrelation theory of auditory temporal processing.
 The Journal of the Acoustical Society of America. 1998-10-01. 104(4) : 2298-2306.
 10.1121/1.423742
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                    Temporal dynamics of pitch strength in regular interval noises.
 The Journal of the Acoustical Society of America. 1998-10-01. 104(4) : 2307-2313.
 10.1121/1.423743
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                    Pitch perception: a difference between right- and left-handed listeners.
 Neuropsychologia. 1998-03-01. 36(3) : 201-207.
 10.1016/s0028-3932(97)00122-x
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                    Pitch perception: a difference between right- and left-handed listeners.
 Neuropsychologia. 1998-03-01. 36(3) : 201-207.
 10.1016/s0028-3932(97)00122-x
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                    Modulation Detection by Normal and Hearing-impaired Listeners
 Int J Audiol. 1998-01-01. 37(2) : 109-121.
 10.3109/00206099809072965
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                    The perception of frequency peaks and troughs in wide frequency modulations. IV. Effects of modulation waveform.
 The Journal of the Acoustical Society of America. 1997-11-01. 102(5) : 2935-2944.
 10.1121/1.420348
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                    The perception of frequency peaks and troughs in wide frequency modulations. IV. Effects of modulation waveform.
 The Journal of the Acoustical Society of America. 1997-11-01. 102(5) : 2935-2944.
 10.1121/1.420348
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                    Speech versus nonspeech in pitch memory.
 The Journal of the Acoustical Society of America. 1996-08-01. 100(2) : 1132-1140.
 10.1121/1.416298
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                    Speech versus nonspeech in pitch memory.
 The Journal of the Acoustical Society of America. 1996-08-01. 100(2) : 1132-1140.
 10.1121/1.416298
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                    The perception of frequency peaks and troughs in wide frequency modulations. III. Complex carriers.
 The Journal of the Acoustical Society of America. 1995-11-01. 98(5) : 2515-2523.
 10.1121/1.413217
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                    The perception of frequency peaks and troughs in wide frequency modulations. III. Complex carriers.
 The Journal of the Acoustical Society of America. 1995-11-01. 98(5) : 2515-2523.
 10.1121/1.413217
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                    The perception of frequency peaks and troughs in wide frequency modulations. II. Effects of frequency register, stimulus uncertainty, and intensity.
 The Journal of the Acoustical Society of America. 1995-04-01. 97(4) : 2454-2459.
 10.1121/1.411966
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                    The perception of frequency peaks and troughs in wide frequency modulations. II. Effects of frequency register, stimulus uncertainty, and intensity.
 The Journal of the Acoustical Society of America. 1995-04-01. 97(4) : 2454-2459.
 10.1121/1.411966
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                    The perception of frequency peaks and troughs in wide frequency modulations.
 The Journal of the Acoustical Society of America. 1994-08-01. 96(2) : 706-715.
 10.1121/1.410309
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                    The perception of frequency peaks and troughs in wide frequency modulations.
 The Journal of the Acoustical Society of America. 1994-08-01. 96(2) : 706-715.
 10.1121/1.410309
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                    Pitch versus Brightness of Timbre: Detecting Combined Shifts in Fundamental and Formant Frequency
 Music Perception: An Interdisciplinary Journal. 1993-10-01. 11(1) : 1-13.
 10.2307/40285596
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                    Further evidence for an autonomous processing of pitch in auditory short-term memory.
 The Journal of the Acoustical Society of America. 1993-09-01. 94(3) : 1315-1322.
 10.1121/1.408159
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                    Detection of inharmonicity in dichotic pure-tone dyads.
 Hearing Research. 1992-08-01. 61(1-2) : 161-166.
 10.1016/0378-5955(92)90047-q
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                    INTERFÉRENCES EN MÉMOIRE AUDITIVE ET PHÉNOMÈNES DE MASQUE : DES RÈGLES RADICALEMENT DIFFÉRENTES
 J. Phys. IV France. 1992-04-01. 02(C1) : C1-277-C1-280.
 10.1051/jp4:1992159
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                    Dissociation of pitch from timbre in auditory short-term memory.
 The Journal of the Acoustical Society of America. 1991-05-01. 89(5) : 2404-2410.
 10.1121/1.400928
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                    Dissociation of pitch from timbre in auditory short-term memory.
 The Journal of the Acoustical Society of America. 1991-05-01. 89(5) : 2404-2410.
 10.1121/1.400928
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                    The Upper Limit of « Musical » Pitch
 Music Perception: An Interdisciplinary Journal. 1990-12-01. 8(2) : 165-175.
 10.2307/40285494
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                    Harmonic and melodic octave templates.
 The Journal of the Acoustical Society of America. 1990-11-01. 88(5) : 2126-2135.
 10.1121/1.400109
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                    The effect of vibrato on the recognition of masked vowels.
 Perception & Psychophysics. 1990-09-01. 48(5) : 436-444.
 10.3758/bf03211587
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                    Detection thresholds for sinusoidal frequency modulation.
 The Journal of the Acoustical Society of America. 1989-03-01. 85(3) : 1295-1301.
 10.1121/1.397460
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                    Dichotic fusion of two tones one octave apart: evidence for internal octave templates.
 The Journal of the Acoustical Society of America. 1988-02-01. 83(2) : 687-695.
 10.1121/1.396164
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                    Perceptual learning in frequency discrimination.
 The Journal of the Acoustical Society of America. 1985-09-01. 78(3) : 1118-1120.
 10.1121/1.393034
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                    Effet d’une différence d’intensité sur la précision des ajustements dans une tâche d’égalisation des hauteurs tonales de deux sons purs
 psy. 1985-01-01. 85(3) : 329-343.
 10.3406/psy.1985.29093
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                    The perceptual reality of tone chroma in early infancy.
 The Journal of the Acoustical Society of America. 1984-07-01. 76(1) : 57-66.
 10.1121/1.391006
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                    Auditory stream segregation in infancy
 Infant Behavior and Development. 1982-01-01. 5(2-4) : 261-276.
 10.1016/s0163-6383(82)80036-2
